His death earlier this year came as a profound shock to his fans, among whom I count myself, even though they/we were all too well aware of his cruel illness. It was always going to be too soon. Perhaps that is why there is such thin-skinned sensitivity to attacks like Jonathan Jones's spiteful little piece, dubbing the novels "potboilers," without having read them.
Having seen the covers (which I will admit put me off too) and flicked through a few pages in a bookshop, he dismisses them all as trash, not worth bothering with. (In a follow-up piece, he remedied this by reading Small Gods, but said his idea of a great literary masterpiece was - by implication - Philip Roth's Portnoy's Complaint. This doesn't need a comment!)
I will not make any case here for TP as a writer of great literature; I will simply try to explain why I love and re-read the best of the Discworld novels and why I find some of his characters indispensable. To backtrack a bit, I was introduced to the Discworld by my oldest daughter when she was in her early teens, so some twenty-five years ago. It that even possible?
I didn't find the first two - The Colour of Magic and The Light Fantastic - particularly addictive and I might have written them off as another of my daughter's SF and fantasy enthusiasms I couldn't really share. And I was constantly annoyed by the spelling of Sourcery as it kept appearing in the Bookseller's bestseller lists.
So when did my TP habit kick in and become unkickable? Being a completist, I did read them in the right order so was it around Equal Rites (3) or Mort (4) that I suddenly got it? I even read Sourcery (5). I have always loved the three witches (Equal Rites, Wyrd Sisters, Witches Abroad, Lords and Ladies, Maskerade) and it is a matter of some pride that all three of my daughters regarded me as a mixture of Nanny Ogg and Granny Weatherwax, long before I had grandmother status IRL.
|© Luigi Novi / Wikimedia Commons|
That and his inventiveness and prodigality - all qualities I find and admire in Dickens. And of course the humour. But also the rage. Neil Gaiman was so right to say that TP was not a jolly elf. There was a fury against the injustices and cruelties of the world that underlies so much of the humour and inventon. Fury about the abuse of religion (Small Gods), about racial prejudice (Carpe Jugulum, Thud!). I wish he were here to write about the current refugee crisis.
A fan without being fanatical, I always waited for the paperbacks, except for when his publishers sent me early review copies of the hardbacks - on two or three occasions even bound proofs. I remember a particularly glorious Sunday morning one autumn, realising I had an extra hour in bed to read the latest TP sent to me (Hogfather).
The Unseen University with its wizards and orang-utan Librarian, the Witches, the City Watch, the Patrician, Lord Vetinari, etc. etc. are all part of a fully-imagined world, as the "extras" like maps and other addenda attest.
Of course there were flaws. In Vimes, as later with Granny Weatherwax and Tiffany Aching, you felt an authorial over-attachment or identification, a "cannot fail" aura. That must make the opening of The Shepherd's Crown all the more poignant.
As death came closer to Terry Pratchett, I hoped that it would be like his own remarkable creation Death. the upper case talking, scythe-wielding skeleton that made mortality palatable, just as TP's books made life more enjoyable.
I don't feel grief, as so many of my friends do, that there will be no more Discworld novels. It was always going to be a finite number, if you think about it. As literary innings go, TP the writer had a very good score. I just wish Terry the man were still not out.
My favourite Discworld Novels*
* I am not so keen on the Tiffany Aching books aimed at younger people so have chosen just from the adult canon.
My Favourite Discworld characters
All three Witches
Leonard of Quirm